The immediacy of the work with vivid colours and direct mark making draw upon British abstraction,however the enhanced colours references toxic global warming,satellite imagery and surveillance photography with a recurring theme of nuclear war and global conflict evident in some titles e.g.Bikini, Return of the Fatman and Banger.
Here lies the real message the invitation to the viewer to move beyond the boundary of contructed realism and engage once again in the modernist ideal of a radical change.